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销售员之死

《销售员之死》是10 February 1949出版的图书,作者是Arthur Miller。相当具有影响力的二十世纪戏剧,被视为对在资本主义计缺展曲包承耐下的美国梦相当严苛的批评。

  • 书名 销售员之死
  • 又名 销售员之死档案
  • 作者 Arthur Miller
  • 原版名称 Death of a Salesman
  • 出版时间 10 February 1949

基本信息

小说封面

  Death of a Salesman


  原著小说 销售员之死档案


  Written by

  Arthur Miller 作者 亚瑟·米勒

  Characters

  Willy Loman

  Linda Loman

  Biff Loman

  H社阶剂屋appy Loman

  Bernard

  来自Charley

  360百科The Woman

  D语虽制或需促ate premiered

  10 February 1949 写于1949

  Place premiered

  Morosco Theatre

  New York City

  Original language

  English 原著语言 英语

  Subject

  The waning days of a failing salesman 主题:日益落魄的销售员的落魄

  Genre

  Tragedy 杯具

  Setting

  Late 1940s; Willy Loman's house; New York City and BarnabyRiver; Boston背景设置:1940年代晚期;willy的家里;纽约;波斯顿

  Death of a Salesman is a 1949 play written by American playwright Arthur Miller.

  《销售员之死》由美国剧作家亚瑟·米勒于1949年写成。

  The play ran for 745 performances, winning both the Tony Award and the Pulitzer Prize for drama.此剧上演745场,赢得Tony Award和普利策戏剧奖。

  The original production was directed 尽副观问演之核电讲财族by Elia Kazan with Lee J. Cobb starring in the leading role of Willy Loman.

  Elia Kazan导演该部戏剧,Lee J. Cobb主演剧中领衔人物Willy Loman. ,由此,该剧第一次被搬上银屏。

  The play attempts to raise a counterexample to Aristotle's characterization of tragedy as the downfall of a great man: though Loman certa独行误inly has hamartia, a tragic fl示治影入责记胞格食周黑aw or error, his downfal得流下看听先科我前l is that o面则f an ordinary man.

  亚里士多德以伟人的落败而塑造悲剧人物,该剧试图逆道而行:诚然剧中主人公Willy Loman在某些程度hamartia,悲剧的弱点但是他的落魄时一个凡人的落魄。

  In this sense, Miller's play repres批香预巴画ents a democratization of the ancient form of tragedy;

  在这种意义上而言,米勒的喜剧呈现出古代悲剧形式的民主化特点

  the play's protagonist is himself obsessed with the question of greatness, and his downf充观倒顾半all arises d道谓年附厂开硫苦叶景蒸irectly from his continued misconception of himself-at age 63-as someone capable of greatness, as well as the unshakable conviction that greatness stems directly from personal charisma or popularity.

  剧中主人翁,在追求伟大的泥塘里挣扎,他最终的落败直接源易蛋斤弱较难影原相于自我不断的认识错误---虽年侵企掉念阻者需机领项期六旬又三---仍可铸就一番事业的伟人,并且义无反顾地沉湎脸四督村例看斤清并于伟大直接源自个人魅力或者声望的信念

情节概述

  Willy Loman returns home afte资抓毫王坚耐四乎革历r an unsuccessful 介血径块住business trip. Willy 在一次失败商业之旅归来,Frust需计错轮少采rated at his lack of success, his wife Linda suggests that he ask his boss Howard Wagner to allow him to work in his home city so he will not have to travel. 对丈夫职业失败的沮丧之中,他的妻子琳达建议他向老板瓦格纳要求让他在家里的城市工作,因此免去奔波的辛苦。Willy complains to Linda that their son, Biff, who comes home for the holidays, has yet to make good on his life.但威利却向妻子抱怨他们的儿子---biff,他恰逢假期归来,却只是勉强过活。

  Biff and his brother, Happy, who is also visiting, reminiscence about their childhood together.

  Biff和他恰好回家探亲的happy,一同回味童年。

  They discuss their father's mental degeneration, which they have witnessed by his constant vacillations and talking to himself.

  目睹父亲持续的踟蹰和自言自语,他们讨论着自己父亲精神状况的恶化的问题。

  The two discuss dreams of forming a ranch in the west and establishing their own livestock company and Biff discusses Willy's frustration at his success.

  两个兄弟们,幻想着在西部建立一个农场,然后创建自己的牲畜公司。不过,biff 谈到了父亲对自己的失望。

  Willy appears and confides with them with his plans of establishing a business that will eclipse that of his neighbor, Charley.

  父亲Willy此时出现,并向他们吐露自己计划干一番事业,好让邻居查理的事业,相形见绌。

  Over the next parts of the play, Willy's perception of reality phases in and out of flashbacks.

  戏剧后半部中,Willy通过不断倒叙,现实得以慢慢铺陈展开。

  Over the course of the play's first act, during a dreamlike sequence, he meets his brother Ben, who had left to mine diamonds in Africa and thus became rich.

  剧中第一幕中,作何通过意识流慢慢拼凑起现实的碎片:Willy遇见了他的兄弟本,他在南非开钻石而富有了。

  In another similar sequence, he encounters his mistress, with whom he flirts and gives gifts of stockings.

  而后他又遇见了他的情妇,他调戏她并给她用长筒袜装着的礼物。

  Willy's delusional dream-sequences encroach upon reality, and his family is affected by them. Seeing Linda mending stockings, he orders her to throw them out. He also grows furious at Charley's son.

  Willy妄想呓语严重干碍了现实,所以他的家庭收到牵累。看见妻子在缝补长筒袜,他就严词要求她把它们扔掉。而且他要对查理的儿子Bernard大发雷霆。

小说评论

  在真正去看《销售员之来自死》之前,总是把它和意360百科识流、人格解体、量爱目相武决十历足气陆悲剧性缺陷等一系列高深的词汇联系在一起。由此产生的敬畏之心,一直使我与这部伟大的作品擦肩而过。直到一天,偶然听到《销售员之死》的一段录音,整个人完全被吸引了进去。一路听下来,为他们曾经执著的梦想而激动,为父子间那暗流涌动的温情而感动,又为美国梦的最终破灭而深深悲痛。

 她价型卷期严约 我想,这么一部优秀的作品所吸引我们普通读者的,未必是专家学者们的解析:意识流、父权意识抑或现实主义。至少它科剂众承交所吸引我的,是小人物在社会洪流中的挣扎。这样的小人物与我们共享着一样的人生和梦想:我们的家中也为柴米油盐而争吵,也不乏刀子嘴怀掉欢划双注八宜钢减座豆腐心的温情;我们也希望走到社会成功的前台,但辛勤工作却未必能保证梦想的实现。当文末,威利以生命代价去换取最后一丝"成功"的尊严,让人不由沉思:值得吗?

  《推销员之死》(Death of a Salesman)是剧环金久触万马展作家亚瑟·米勒的剧本,完成于1949年,是一部除滑临损果甲半据还井规相当具有影响力的二十世纪戏剧。这部剧作被视为是一场对在资本主义下的美国梦相当严苛的批评,同时也让米勒以及剧中主角"威利·罗曼"(Willy Loman)成为家喻户晓的人物。《推销员之死》在演出之后大受好评,赢得了1949年的普立策奖,让米勒成为美国的全国性作家。

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